Modern audiences have evolved. While the traditional meet-cute (bumping into someone at a bookstore) is charming, the most gripping relationships and romantic storylines today often begin with friction. Think of Elizabeth Bennet and Mr. Darcy. They don't like each other. This "meet-hate" allows for a greater character arc. The audience asks, "How will they change to love each other?"
Romantic subplots (or main plots) are not mere "filler." They serve critical psychological and structural functions: bhai+behan+maa+beta+hindi+sex+story+with+photos+extra
High tension where mutual dislike masks a deep, simmering attraction. Modern audiences have evolved