Rosalind Krauss Reinventing The Medium Pdf -

As mentioned, Coleman’s work uses a single slide projected over time with layered audio. Krauss argues that this medium creates a “suspended” temporality. Unlike cinema (24 frames per second), the slide projector allows for duration without narrative flow. The viewer is trapped in a perpetual present, which Coleman uses to explore political trauma (e.g., The Boy Who Saw the Iceberg ).

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References: Krauss, R. (1999). Reinventing the Medium. In R. Krauss, The Optical Unconscious (pp. 277-295). MIT Press. As mentioned, Coleman’s work uses a single slide

In cinema, the "technical support" might be the synchronized sound or the physical celluloid, which artists like Vertov or Marclay manipulate to reveal the nature of the art itself. III. The Post-Medium Condition The viewer is trapped in a perpetual present,