The film's cinematography, handled by Michael Chapman, is notable for its use of a muted color palette and a mix of close-ups and long shots. Scorsese's direction is masterful, using a range of techniques to create a sense of tension and unease. The film's score, composed by Lalo Schifrin, adds to the overall sense of unease and foreboding.
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The character of Iris (Jodie Foster), a young prostitute, serves as a catalyst for Travis's journey, symbolizing both the vulnerability and resilience of those living on the fringes of society. The complex dynamic between Travis and Iris raises questions about the nature of heroism, protection, and the blurred lines between reality and fantasy. The film's cinematography, handled by Michael Chapman, is
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Scorsese used a handheld camera style and a saturated color palette to create a dreamlike, almost hallucinatory atmosphere that captures Travis's fractured psyche.