Through The Olive Trees- Abbas Kiarostami — No Login

Unlike traditional sequels, this film takes a "behind-the-scenes" look at the production of the previous installment in the trilogy, And Life Goes On .

This final shot is the key to Kiarostami’s entire universe. He refuses to be a god who closes the book. He is a humanist who opens a window. He understands that the most honest answer to the question of love, or life, or cinema is often: We cannot see clearly from here. The olive trees are in the way. The earthquake has thrown off our perspective. But we keep walking anyway. Through the olive trees- Abbas Kiarostami

Here is a story looking at the soul of this film, capturing its patient rhythm, its meta-cinematic layers, and its famous final shot. 🎬 Scene 1: The Director’s Frame He is a humanist who opens a window

: On set, Tahereh refuses to speak to Hossein or even acknowledge him between takes, forcing the director to navigate their real-life tension while trying to capture a fictional marriage. Kiarostami’s Signature Style The earthquake has thrown off our perspective