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However, the genre is not without its own ethical contradictions. In exposing exploitation, documentaries can inadvertently re-exploit their subjects, turning trauma into spectacle for a streaming audience. The line between "witness" and "voyeur" is dangerously thin. Furthermore, the sheer volume of "exposés" has led to a form of documentary fatigue, where audiences consume stories of abuse as they would any other genre content, clicking "next episode" after a harrowing testimony. There is also the question of selection bias: for every documentary about a struggling indie artist, there are ten about the same five mega-celebrities, perpetuating a narrow, top-down view of an industry that includes grips, screenwriters, and theater ushers. There is also the question of selection bias: