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This novel is perhaps the most exhaustive literary study of the "possessive mother." Gertrude Morel, unhappy in her marriage to a coarse miner, redirects all her intellectual and emotional passion onto her son, Paul. Lawrence writes with brutal honesty about how a mother’s love can emasculate a son, preventing him from forming healthy romantic relationships with other women. Paul’s lovers, Miriam and Clara, are never rivals for his heart; they are rivals for his mother’s throne. Sons and Lovers codified the "mama’s boy" trope in serious literature, arguing that a son’s artistic and sexual liberation depends on the metaphorical (or literal) death of the mother’s influence.