Before Gone Girl , there was Sonia. A sexual predator in a power suit, Priyanka’s character seduces her stepson’s husband and then accuses him of rape when rejected. It’s a dark, dangerous romance—or rather, anti-romance. She made villainy seductive, proving that love (and lust) can be weaponized.

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But she is not a revolutionary deconstructionist either — she still participates in shallow rom-coms and commodifies her own love life. Her relationship with romance is , not artistic or vulnerable.

An autistic girl in 1970s Darjeeling, Jhilmil’s love for Ranbir Kapoor’s Barfi is pure, childlike, and devastating. It’s not about dialogue but glances, shared silences, and a final act of sacrifice. This role won her the National Award and proved that romance doesn’t need grand speeches—only truth.

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