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Abstract This paper analyzes The Devil in Miss Jones Part II (1982) as a continuation of a canonical 1970s adult film text, exploring how the sequel negotiates genre expectations, narrative continuity, and shifting cultural landscapes. I argue that the sequel functions less as a faithful thematic continuation and more as a commercial artifact reflecting the adult film industry’s transformation amid legal pressures, home video emergence, and changing audience tastes. The film’s formal choices—its fragmented narrative, emphasis on spectacle over the original’s existential framing, and mise-en-scène—reveal tensions between artistic ambition and market-driven production.

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Frustrated in Hell, Justine strikes a deal with a red-jumpsuit-clad Abstract This paper analyzes The Devil in Miss